You hear them a lot in laments, which form a genre going back to the baroque," Sloan says. "Those last two notes - from the flat six to the five - have a lot of weight in musical history. The minor key gives it an intimidating ring. "It's very egalitarian, the kind of riff that's the first thing you figure out when you're learning how to play guitar." "And with the exception of the second note, the notes are all in sequence in the scale - like consecutive steps on a ladder," explains Nate Sloan, co-host of the podcast Switched On Pop. It's a simple musical phrase: just five different pitches, spread out over less than an octave. ![]() "It's just, 'Ohh, oh-OH-oh-oh ohhhh, ohhh,' and that's it, just over and over and over. Siegel says that the first thing you'll notice hearing the song at a sporting event is that instead of Jack White's impassioned vocal line, fans sing the song's central guitar riff.
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